Posts with tag: "Knowledge"
Thursday 04 December 2014
By Mr. GC
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First and Foremost to New Models and Advance Models (with a minimum of 12 photo shoots): Making a Living as a Model Takes Time. Things don't happen overnight, in a month or even in a year. Overall, from 6 months to a year, for some, you can make a big difference in what makes you iconic and valuable to the different markets.

Understand this and seriously think about it: if you are modeling or started modeling only for the money, then think very carefully about the reality of making money as a model, especially if you are freelance (not an agency represented professional). You can take anything and do anything because it is available. Truly understand your limitations because there is not a single model out there that is suitable for all kinds of work. Do your research and see.

I know many freelance models who make a living modeling. Check out their portfolios and even contact them and see what path they took if they reply. Majority of these models travel for shoots and are able to sustain themselves. When I say sustain, I am referring to traveling with all expenses covered to make a decent profit while traveling to a location accomplishing for than one job so now you are not just a model.

Many of you want to be known fast or make money right away. If you approached to me or any other professional empty handed or with minimal experience proposing monetary compensation, you would not get a reply. you would It takes a long time to build a reputation that can allow you to charge enough for your modeling to make a living at it. Making a living as a full-time freelance model requires a lot of hard work, dedication, a look that people are willing to pay for, and sometimes the willingness to lower your limits when it comes to nudity and the types of shoots you are willing to accept. Discipline to be a marketable product. This includes fitness, practice, eating right, proper communication, and negotiable.

Some models charge anywhere up to $150/hour to $800 for a day. Many wouldn't get this especially in no major cities. If you price between $25-$100/hour for shoots, sometimes you will get more, sometimes get less. This opens the opportunity for more paid work from the same person or new professionals.


Aviva H, a successful [freelance] model for 2 years and track athlete for 6 years. She lives in Victoria, BC, and specializes in fitness, promotional, bikini, lingerie, and commercial modeling. She is also a blogger and a has a Bachelor of Commerce Program. She's originally from Russia.

She shares some knowledge:


6 Things to Consider When Setting Your Modeling Rates

So, how much do you charge for modeling? How do you know how much you should charge? Should you charge?

1. Your Portfolio

When you are starting, focus on building a good portfolio that focuses on the areas of modeling that are most suited for your look, and your interests. Understand that if you are 5’4″ and 140 lbs, you probably will not make money as a fashion or commercial model. Therefore, stick with genres that suit your body type.

And, unless you have a fairly strong portfolio, it may be unreasonable to expect getting paid at all. You might be better off doing some trade/collaboration (TF*) work or even hiring a photographer or two.  A really good photographer would likely provide valuable images that help you build a portfolio.

2. The Photographer’s Portfolio

When deciding upon an offer you received, assess the person’s portfolio and decide for yourself if the amount of money they are offering you is worth being associated with that photographer and their work. Yes, they are paying you, but understand that those pictures will be on the Internet forever. Look at the person’s worst picture, and realize that their next worst one could be of you. Are you okay with that? One bad picture can cost you money or your future career—especially if you want to be a public figure.

3. Your Look

How you look is probably the most important factor when it comes to setting your rates. If your look is in demand, you can charge higher rates for your modeling because people would be willing to pay you more. To be able to make money as a model, realize that maintaining your looks is important, which means taking care of your skin, eating right and going to the gym, among other things.

4. The Competition

The number of models who can do what you do is also an important factor in whether or not you can charge, and how much. If you see that, in your area, there are many models that do amazing standard glamour shots, and you want to also be a glamour model, understand that you are up against some stiff competition. When supply is high, simple economics say that the price would therefore be low. If you have a unique skill (such as posing) that few of the models in your area possess, use it to your advantage. Anything that is rare is usually more valuable.

When deciding how much to charge, check out what the models in your area (that are similar to you in looks, body type and genre) are charging.

Because you are new, charge a little bit less than the average, when starting out. If you see that, at your current rate, you are getting more offers than you have time for, you then raise your rates a little bit. If you are not getting any offers, then lower your rates.

If, you are not getting any offers, even after you have lowered your rates, it is time to go back to square one and re-assess your own portfolio,  your look, the market and your goals.

5. Nude Modeling

Due to the supply and demand principle, models willing to pose nude will be able to charge more and will likely get more work. That is because there are many beautiful girls who are willing to pose clothed for free/little money, but it is more difficult to find good models who pose nude. With that being said, carefully consider the consequences of posing nude and whether or not the money is worth it for you. You are the only one to make that decision.

6. What Do You Offer That Is Worth Paying For?

Consider that you are also competing against many models that would do the same thing that you do but for free. Make a list of all the things that you can offer to the person “hiring” that those who model for free can’t or don’t do. In other words, what can you do/what do you have that makes you worth paying for?

Saturday 29 November 2014
By David M. Blecman (Primary), Modes Mr. GC
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It is very hard to get sponsors, grants, and investors in our cause, so the phenomenon of models, photographers, stylists, artists, and other professionals all wanting to barter or trade time is more prevalent than ever. So what exactly is barter?

According to Merriam-Webster, barter is to exchange things (such as products or services) for other things instead of for money. Wikipedia states barter is a method of exchange by which goods or services are directly exchanged for other goods or services without using a medium of exchange, such as money. Simple enough right? So why are there so many people complaining about trading time and services on the message boards?

When people decide to trade services, time, or products, there has to be a satisfying element for everyone. There must be something that you bring to the table that is in need, and the other party or parties must bring something to the table that you need. Otherwise, what’s the point?

I have been bartering for most of my 13 years in this industry. It’s just part of doing business. I have also been burned very few times, because I implement a few very smart elements to the process. The first key to a successful trade arrangement is make sure the person you are bartering with has a product or service that meets your needs, or satisfies what you are looking for, and has a good reputation and can deliver. That’s easy enough to find out by messaging some of the clients in his or her portfolio and getting references, or, simply by asking for references. You are certainly entitled. After all, you’re getting ready to invest your valuable time. Those that do not offer references do not have any positive ones to give to you. Move on!

Once you’ve established a reputable partner to barter with, you now need to be as specific as possible as to what you want out of the barter relationship.

As a photographer, how much time are you wanting? What genres of modeling are you wanting to shoot? What types of wardrobe are you wanting to shoot? Notice I use the word “wanting” and not the word “expecting.” Things get shady when you’re expecting something. What you expect is not as definitive as what you want. You need to be specific as to what you are wanting.

As a model, stylist, designer, or makeup artist, how many images are you wanting? What size? What resolution, and by what date?

Now, you need to get those details in writing that will be signed by all parties involved. I am not suggesting you need to get a lawyer to draft up a legal document for everyone you barter with, but you can simply state in writing what you are to give and what you are to get, and by what date, and have everyone sign it. Then, there should be no “expectations” or empty promises or misunderstandings. What you put on paper is what you are to deliver and what you are to receive. Period! It’s not that difficult folks, but you just need to do it.

As a photographer, my barter agreement states how much time the model will provide for me, what the wardrobe will consist of, if there is any nudity or semi-nudity agreed upon, who’s responsible for hair and makeup, and what time the model is to arrive. I also state what I am to ultimately provide to the model, how many, what size, what resolution, retouched or un-retouched, and by what date. There is also a monetary figure in the agreement that I will owe the model if I do not deliver by the stated date. After all, she provided her modeling skills to me, so she delivered her end of the bargain. There is also a monetary figure stated that she will owe me if she decides to be a no-show. After all, I had time involved in setting up and getting ready.

You can get very intricate or you can keep it very simple, but everything must be in writing.

My contracts happen to be reviewed by my attorneys so that they hold water in the courts of Maryland or wherever I may be shooting. I take my photography very seriously, and I take my obligations to the models, artists, and stylists very seriously. Reputation can be everything. Because of that, I owe it to myself to protect my interests as well. If I need to take a talent to court, of if they need to take me to court, I have the documentation I need to proceed with. You should too.

In closing, let me state that I have never been taken to court in my 13 years in the photography and modeling industry, and have never had to take anyone to court. Putting the specifics in writing works

Thursday 30 October 2014
By Mr. GC
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  1. American PHOTO
  2. Bazaar
  3. Digital Photo
  4. Ebony
  5. ELLE
  6. Entrepreneur
  7. Essence
  8. Family Fun
  9. Fast Company
  10. Fitness
  11. Glamour
  12. Popular Photography
  13. Vogue
  14. W
  15. Time
  16. Black Enterprise
  17. Redbook
  18. Latina
Tuesday 30 September 2014
By Mr. GC
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Remember and think about the below thoughts:

  1. No photographer is as good as the simplest camera.
  2. There are no rules for good photographs, there are only good photographs.  
  3. Every time someone tells me how sharp my photos are, I assume that it isn't a very interesting photograph.  If it were, they would have more to say.
  4. My portraits are more about me than they are about the people I photograph.  
  5. You don't take a photograph, you make it.
  6. Buying a Nikon doesn't make you a photographer.  It makes you a Nikon owner.
  7. A great photograph is a full expression of what one feels about what is being photographed in the deepest sense, and is, thereby, a true expression of what one feels about life in its entirety.
  8. I just think it's important to be direct and honest with people about why you're photographing them and what you're doing.  After all, you are taking some of their soul.
  9. If I could tell the story in words, I wouldn't need to lug around a camera.
  10. Beauty can be seen in all things, seeing and composing the beauty is what separates the snapshot from the photograph.
  11. Photography for me is not looking, it’s feeling. If you can’t feel what you’re looking at, then you’re never going to get others to feel anything when they look at your pictures.
  12. The goal is not to change your subjects, but for the subject to change the photographer.